The research group “Textures of Sacred Scripture. Materials and Semantics of Sacred Book Ornament” and the Chair of Medieval Art History at the University of Zurich are organizing an international conference on “Superficies – Surfaces, Skins, and Textures. Sensory encounters with books and related multi-layered objects”. The conference, funded by the Swiss National Science Foundation, is scheduled to take place at the Institute of Art History of the University of Zurich on 18-20 January 2024. No registration is required for on-site participation. To participate online, please register via this link:
https://uzh.zoom.us/meeting/register/u5EoduGspjIpHtFIMxg1O7ObRCUp2mk81vrI
After registering, you will receive a confirmation email containing information about joining the meeting.
Here is a link to the program.
Surfaces are boundaries that mediate our sensory interactions with objects. Surfaces reveal, but they also conceal. In traditional aesthetic discourse, their multiple tactile and visual qualities are often contrasted with depth, and in a pejorative sense, superficiality is opposed to inner virtue and an intellectual understanding of things. This stark opposition between outer surface and inner core is put to the test by multi-layered objects such as books. Here, surfaces abound. Once opened, books in codex format display a multitude of layered skins and textures that are essential for the visual and haptic experience of the object in space and time. Perhaps more than other objects, books tangibly embody the complex relationship between surface and depth, through their composition and spatial structure as multi-layered objects. While the surfaces of sculpture and architecture have recently come to the attention of art historians, the surfacescapes – to use an expression coined by the art historian Jonathan Hay – of books and other multi-layered objects have been far less examined.
The conference aims to take a fresh look at the diversity of surface landscapes in books and other multi-layered objects. From the highly valuable vestments that clothe the exteriors of precious books to the parchment skins of their interiors, all layers are the product of diverse surface treatments. Techniques such as coating, polishing, tooling, and engraving determine the visual and haptic qualities of bindings and pages, and are reflected in their textures and sensory qualities.
Topics of particular interest are:
- Surfaces and the multi-layered spatiality and temporality of books and related objects.
- Ornament as surface and surface as ornament.
- Surface and ground.
- The textures, multi-materiality, and sensory qualities of surfaces.
- The preparation of surfaces to receive writing or painting, and the production pro-cesses concerning surfaces.
- The material traces of use, damage, and reworking that become inscribed into the surfaces of objects.
- Surfaces and transparency.
- The rough and the smooth: tactile dimensions of surfaces.
- Surfaces in relationship to the human body and its skin.
- Surfaces and the critique of superficiality.
The conference is organized by Simon Breitenmoser, David Ganz and Thomas Rainer.
Image Credit: Évangéliaire de la Sainte-Chapelle, BnF, Latin 8851, fol. 1v-2r, 3r, photo: Thomas Rainer, Courtesy: BnF, Département des manuscrits.
Textures 