Lecture: David Ganz and Katharina Theil: Patchwork an einer Prachthandschrift. Der Einband des St. Galler Evangeliars in Paris (BnF lat. 9453) (Zürich, 29.01.2022)

Vortrag im Rahmen des Orelli-Tags 2022 und der Akademischen Gedenkfeier für Prof. Dr. Peter Stotz. For more

Lecture: David Ganz, Thomas Rainer, Sabrina Schmid and Katharina Theil: Buch und Hand. Die Taktilität mittelalterlicher Prachthandschriften (Zürich, 19.10.2022, 16:15-18:00)

Vortrag im Rahmen der Interdisziplinären Ringvorlesung Sinne im Mittelalter. Vielfalt / Hierarchien / Reflexionen. Herbstsemester 2021, organisiert vom Kompetenzzentrum “Zürcher Mediävistik”. For more

Lecture: David Ganz: Der Eid auf das Buch: Schwurbücher im mittelalterlichen Europa (Herrenhausen, 07.10.2021)

International Conference “Alles außer Lesen …” – Praxeologien des Buchgebrauchs/’Everything but Reading …’ – Praxeologies of Book Use, Jahrestagung des Wolfenbütteler Arbeitskreises für Bibliotheks-, Buch- und Mediengeschichte im Tagungszentrum Schloss Herrenhausen bei Hannover, organized by Ursula Rautenberg and Ute Schneider, October 6-8, 2021. For more

Lecture: David Ganz: Writing in Gold: On the Aesthetics and the Ideology of Chrysography (Geneva, 21.04.2021)

Lecture Series: Actualité de la recherche, University of Geneva, Département d’ histoire de l’ art et de musicologie, Unité d’ histoire de l’ art and HEAD – Genève, organized by Anthony Masure, Christelle Granite-Noble, Henri de Riedmatten and Alessia Alfieri. For more here

Lecture: Thomas Rainer: Cover and Covers. Materials and Semantics of Female Donor Inscriptions on Metals and Textiles — The Inscription on the Golden Book Covers of the Lombard Queen Theodelinda and its Textile Parallels (online, 01.04.2021)

Study Day: Research Field B Inscribing Spaces: Inscribing Metal, Cluster of Excellence “Understanding Written Artefacts”, University of Hamburg, Centre for the Study of Manuscript Cultures, organized by Kaja Harter-Uibopuu.

Lecture: David Ganz: Schrift-Bilder. Buch und Vision in mittelalterlichen Apokalypsedarstellungen (online, 18.03.2021)

Conference “Gesicht und Handschrift. Transzendente Begründung und Authentifikation in mittelalterlichen Visionen”. Akademie der Diözese Rottenburg – Stuttgart, 18.03. – 20.03.2021. In Zusammenarbeit mit dem DFG-Projekt “Vergänglichkeit und Ewigkeit” (Universität Kiel und Universität Köln) und dem Arbeitskreis für hagiographische Fragen. For more here

Workshop: Shades of Purple – Purple Ornament in Medieval Manuscripts, Zurich 25.11. – 26.11.2021

Recent advances in the technical analysis of purple colorants have spurred new interest in the aesthetics of purple ornament in medieval manuscripts. This most prestigious embellishment associated with imperial splendor underwent stunning transformations between the 6th and the 12th century. Purple dyes (mostly produced from lichens) were not only used to color the entire parchment surfaces of sacred books, but purple colorants were also used selectively to highlight specific texts, pages and miniatures corresponding to the content, topology, imagery, and script of individual manuscripts. Various techniques and methods were employed to create multi-sensory purple textures, combining shades of purple from red to dark blue and evoking different purple-colored materials such as silks and porphyry. This two-day workshop at the Chair of Medieval Art History at the University of Zurich will explore a range of questions about the materials and semantics of medieval purple manuscripts.

Registration is required by 22.11.2021: thomas.rainer@uzh.ch
A COVID-19-certificate is mandatory for participants attending in person.
A Zoom link will be provided for participants unable to attend in person.

Continue to the program.

Handbook

The Handbook of Medieval Book Ornament aims to give a survey of up-to-date research on the materials, the techniques and the semantics of deluxe manuscripts in the Western Middle Ages. It will comprise ca. 200 articles written by specialists of the respective topic.

Medieval book ornament is a rapidly developing field of research. In the last decade, the various materials and techniques used to decorate medieval books, their different spaces and textures, their sensory qualities and semantics, and their significance in ritual or other performative contexts have reignited the interest of all disciplines concerned with the medieval book as a material object. Nevertheless, a comprehensive overview of the entire field is lacking. With the Handbook of Medieval Book Ornament, we aim to create a reference work, for both students and specialists, discussing the most important terms, topics, and currently discussed concepts related to ornament (in the broadest Middle Latin sense of “ornatus”) in medieval book cultures. The focus is on book cultures in the Latin- speaking world of Europe from 700 to 1500, including perspectives on Jewish, Islamic, Byzantine and vernacular book cultures and transcultural phenomena.